Welcome to 2025 — the Artsvit Gallery is back to work!
07/01/2025

Welcome to 2025 — the Artsvit Gallery is back to work!

The Christmas holidays are over, so the Artsvit Gallery is opening its doors to visitors again. The new year 2025 has begun and many interesting events and projects await you ahead.

We would like to remind you that until the end of this week we will have the exhibition "Graze Pavlo the cowww" by Bohdan Buchkovsky, January 11 is the last day, so be sure to visit.

After that, we will take a short break to prepare the space for the new exhibition, all the details later.

The gallery is open according to the usual schedule: from Tuesday to Saturday, from 12:00 to 19:00. Admission is free!

And while we are preparing for the first events in 2025, we invite you to remember what the past year was like, and not only that - we are sharing with you a folder of our annual reports for the entire time of the Artsvit Gallery's activity.

Other News

04 вересня 2026
Collection Online: New Perspectives

We are excited to invite you to a long-awaited event for the Artsvit team — the presentation of the gallery’s collection website next Friday!

The event will feature Victoriia Nikitina, curator of the collection, and Oksana Barshynova, art historian and Deputy Director of the National Art Museum of Ukraine. The discussion will be moderated by Oleksandra Shovkun.

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03 вересня 2026
We are Starting the Lecture Programme «Ukrainian Art: Decolonizing Perspectives» This September

«Ukrainian Art: Decolonizing Perspectives» is a series of lectures running from mid-September to mid-November. Invited speakers include Kateryna Yakovlenko, Oksana Barshynova, Anastasiia Manuliak, Aliona Penzii, Alya Segal, Sviatoslav Chyruk and others.

The programme examines the colonial influence on several generations of Ukrainians from different angles of view, with particular attention to Dnipro and the eastern regions of Ukraine. Many of us grew up in an environment where Russian narratives dominated in education, in the media, and in the art. Today, we critically rethinking the contours and extent of this influence and learning to distinguish what is ours from what was imposed on us. This is not only a cultural process but also a personal one: a process of reclaiming an identity alienated by Moscow-centrism and russification.

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